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Veteran Educator Experienced Researcher
Strategic Cultural Conservatist
Professor Bo-Wah LEUNG
Research areas include Arts Education, Creativity in Music Education, Cantonese Opera, Motivation of Learning Music, Tranmission of Traditional Music
頭架: 黃嘉恆師傅 掌板: 嚴定國師傅
這是此曲的末段,包括 口古/滾花/快點/煞板 .
Excerpt from “Zhu Bian Returning to Song Dynasty” :
hau-goo (a speech with couple phrases),
gwan-faa (a recitative-like singing passage),
faai-dim (an aria type with rapid pace and specific rhythmic pattern),
and saat-baan (final singing phrase to conclude the piece).
Apart from these musical requirements, the Cantonese operatic singer is expected to express the emotions of a permanent departure between the role and his lover. My goal is to get this sentiment across to the audience effectively through a persuasive singing.
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